Andy Anderson Photography

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  1. Q&A with Photographer ANDY ANDERSON
11jul11
 
I’ve wanted to interview Andy Anderson since I launched POP. When he agreed to an interview (on one condition: that I not ask him about how good looking he is), I was excited and then a little intimidated with the task of doing justice to someone whose work is among the best of the commercial photographers working today. He said repeatedly that he felt advertising in its highest form is art. And by the end of our interview I was convinced.
With each body of his work, whether it’s wild animals in the Serengeti, mountainscapes of the Grand Tetons, a campaign for Ram Trucks, or resort images in Punta Brava, the images are beautiful, quiet, expansive. At once monumental and relatable. Conveying awe and presence. They carry the unmistakable stamp of someone who is deeply passionate about life and their work, who is a very talented artist and has mastered the art of infusing his images and subjects with this appreciation, respect and vision.
———————————————————————————-
To read the full interview on POP (Photographers on Photography) by publisher/editor Alison McCreery, Click HERE!

    Q&A with Photographer ANDY ANDERSON

    11jul11

     

    I’ve wanted to interview Andy Anderson since I launched POP. When he agreed to an interview (on one condition: that I not ask him about how good looking he is), I was excited and then a little intimidated with the task of doing justice to someone whose work is among the best of the commercial photographers working today. He said repeatedly that he felt advertising in its highest form is art. And by the end of our interview I was convinced.

    With each body of his work, whether it’s wild animals in the Serengeti, mountainscapes of the Grand Tetons, a campaign for Ram Trucks, or resort images in Punta Brava, the images are beautiful, quiet, expansive. At once monumental and relatable. Conveying awe and presence. They carry the unmistakable stamp of someone who is deeply passionate about life and their work, who is a very talented artist and has mastered the art of infusing his images and subjects with this appreciation, respect and vision.

    ———————————————————————————-

    To read the full interview on POP (Photographers on Photography) by publisher/editor Alison McCreery, Click HERE!

     
     
  2. Check out this month’s issue of Town & Country Magazine to see a beautiful feature about the American Hotel in Sag Harbor, NY that Andy shot working with the new creative guru at Town & Country, Edward Leida.

     
     
  3. As noted in a previous post. A couple of months ago, Andy went on a 2700 mile jaunt around the deserts of Utah, Arizona and New Mexico to document the archeological sights of the Anasazi Indians. Now the article is finally out in the August edition of Conde Nast Traveler magazine. Andy worked with Photo Editor Esin Goknar and Designer Rob Hewitt from Conde Nast to make this article possible.

     
     
  4. FOUR SEASONS MAGAZINE
Four Seasons Magazine just featured Andy’s photography on the cover of their latest issue.

    FOUR SEASONS MAGAZINE

    Four Seasons Magazine just featured Andy’s photography on the cover of their latest issue.

     
     
  5. GUS

    This is my new bird dog that is a English Setter. He is resting until bird season…………

     
     
  6. ROAD TRIP
I’m getting my 28 foot International Airstream ready for a month personal shoot. As soon as I finish the wonderful campaign I have been working on for Trump Hotel Collections and insure the client is happy with work. I’m off like a bad pair of shoes. Standby for reports from the road of my adventures and misadventures…………..

    ROAD TRIP

    I’m getting my 28 foot International Airstream ready for a month personal shoot. As soon as I finish the wonderful campaign I have been working on for Trump Hotel Collections and insure the client is happy with work. I’m off like a bad pair of shoes. Standby for reports from the road of my adventures and misadventures…………..

     
     
  7.  
WORDS OF WISDOM
This guest posting on my blog will be the first of many from people I respect and have worked with in our wonderful industry. Leslie Edelman and I first met many years ago when she produced a project for me for GoRV with The Richard’s Group. She is a very dynamic person who can charm anyone to do ANYTHING………are you blushing Leslie…..:) I respect her because she comes from a fine art background and has been in our business for many years. She does not get frazzled and has a wealth of experience.
I asked her to post something that she felt passionate about, I think its right on and I truly appreciate this insight. Thank’s GURL!
——————————————————————————————
A creative methodology to consider
I’ve always liked the line ‘You’ve come a long way’s baby…’
But, as far as we’ve all come in our careers, I love a healthy reminder of how to freshen my approach or perspective. In this wee-post, Im going to make some assumptions; you are either a client, a crew member or a shooter. I think I can speak for most of us, because together, we’ve explored the nooks and crannies of this fine business, considered ourselves lucky to have these dream jobs, and found our place within it.
We’re successful in this industry because we all have something in common; we’re collaborators. The best part of us might be creative or technically gifted, but still we all have to be professional and amazing at building relationships. This recently struck home for me, as I was writing thank-you notes to a couple of photographers that were not selected for a campaign. They both wrote back that no one ever does that anymore..and the rep thanked me as well. A thank you note for a thank you note? Well, it’s nice to be validated, but, digging deeper, what’s going on here?
Sure, you could say its relationship building but, more than that, we’re role playing a commitment model. Im committed to working with top talent, and they’re committed to being top talent. For some it comes easy..we’re in the habit of working within the ‘circle of trust’ (I love it when De Niro says it!) As a re-fresher I thought it would be fun to un-pack this old model and lightly walk through the methodology.
First the we need to acknowledge that TRUST and CARE are at the center of any relationship, whether it is a client, friend or family - you have to CARE in order to build TRUST. Creating commitments that build trust are key to supporting each other in work or home. We have all experienced that TRUST can erode over time, and its making commitments to each other that continually builds healthy productive relationships.
Next, the commitment model has for phases1) Request / Offer2) Negotiation3) Performance4) Assessment
(see model)
I hope this doesn’t sound ‘gooey’ - because some of the language here can sound like we’re ready to walk down the isle…but, walking through each phase with clarity gives each client or performer a chance to express their needs. You can see the client often kicks off the project with a request, then its up to the performer to ask for clarity and negotiate. It make a big difference when you ask someone; what would make this job go perfectly for you? And always remember to ask - ‘by when’ if it isn’t stated - not knowing or assuming the conditions of satisfaction can erode trust.
As we move through the circle of completing tasks, getting approvals and thanking the weather-god for a ‘foggy day’ (yes, Im in San Francisco) we often move on to the next project before the the one we’re in has been wrapped up. We all need to ‘close the loop’ not only with the big jobs, but, with every engagement we enter. It’s critical that we remember to CARE for our colleagues, friends, by taking the time to assess and give feedback.
When we give feedback, whether you’re being supportive, critical or destructive, ask yourself - are you acting within the commitment model or stepping out of the model by eroding trust? When we come from a place of caring and empathy - we help each other grow and be our best.
Don’t we all expect the people we work with to be their best? Not every moment, but they should know when to shine…and how can they do that, if we didn’t trust them? Or if we didn’t care? We exist in a circle of commitment, every moment. And, because we’re creative in a creative industry it can be expressed in a myriad of wonderful and unexpected ways.  I know with Andy, I just tell him, ‘I’ll kick his ass next time I see him in SF & bring the Charmin!’ and he’ll be laughing thinking of all our bad jokes for days.
You know who you are; Thank YOU for the thank you notes, to my thank you - Im totally committed. Or after you’ve read this you probably think; committable.

    WORDS OF WISDOM

    This guest posting on my blog will be the first of many from people I respect and have worked with in our wonderful industry. Leslie Edelman and I first met many years ago when she produced a project for me for GoRV with The Richard’s Group. She is a very dynamic person who can charm anyone to do ANYTHING………are you blushing Leslie…..:) I respect her because she comes from a fine art background and has been in our business for many years. She does not get frazzled and has a wealth of experience.

    I asked her to post something that she felt passionate about, I think its right on and I truly appreciate this insight. Thank’s GURL!

    ——————————————————————————————

    A creative methodology to consider

    I’ve always liked the line ‘You’ve come a long way’s baby…’

    But, as far as we’ve all come in our careers, I love a healthy reminder of how to freshen my approach or perspective. In this wee-post, Im going to make some assumptions; you are either a client, a crew member or a shooter. I think I can speak for most of us, because together, we’ve explored the nooks and crannies of this fine business, considered ourselves lucky to have these dream jobs, and found our place within it.

    We’re successful in this industry because we all have something in common; we’re collaborators. The best part of us might be creative or technically gifted, but still we all have to be professional and amazing at building relationships. This recently struck home for me, as I was writing thank-you notes to a couple of photographers that were not selected for a campaign. They both wrote back that no one ever does that anymore..and the rep thanked me as well. A thank you note for a thank you note? Well, it’s nice to be validated, but, digging deeper, what’s going on here?

    Sure, you could say its relationship building but, more than that, we’re role playing a commitment model. Im committed to working with top talent, and they’re committed to being top talent. For some it comes easy..we’re in the habit of working within the ‘circle of trust’ (I love it when De Niro says it!) As a re-fresher I thought it would be fun to un-pack this old model and lightly walk through the methodology.

    First the we need to acknowledge that TRUST and CARE are at the center of any relationship, whether it is a client, friend or family - you have to CARE in order to build TRUST. Creating commitments that build trust are key to supporting each other in work or home. We have all experienced that TRUST can erode over time, and its making commitments to each other that continually builds healthy productive relationships.

    Next, the commitment model has for phases
    1) Request / Offer
    2) Negotiation
    3) Performance
    4) Assessment

    (see model)

    I hope this doesn’t sound ‘gooey’ - because some of the language here can sound like we’re ready to walk down the isle…but, walking through each phase with clarity gives each client or performer a chance to express their needs. You can see the client often kicks off the project with a request, then its up to the performer to ask for clarity and negotiate. It make a big difference when you ask someone; what would make this job go perfectly for you? And always remember to ask - ‘by when’ if it isn’t stated - not knowing or assuming the conditions of satisfaction can erode trust.

    As we move through the circle of completing tasks, getting approvals and thanking the weather-god for a ‘foggy day’ (yes, Im in San Francisco) we often move on to the next project before the the one we’re in has been wrapped up. We all need to ‘close the loop’ not only with the big jobs, but, with every engagement we enter. It’s critical that we remember to CARE for our colleagues, friends, by taking the time to assess and give feedback.

    When we give feedback, whether you’re being supportive, critical or destructive, ask yourself - are you acting within the commitment model or stepping out of the model by eroding trust? When we come from a place of caring and empathy - we help each other grow and be our best.

    Don’t we all expect the people we work with to be their best? Not every moment, but they should know when to shine…and how can they do that, if we didn’t trust them? Or if we didn’t care? We exist in a circle of commitment, every moment. And, because we’re creative in a creative industry it can be expressed in a myriad of wonderful and unexpected ways.  I know with Andy, I just tell him, ‘I’ll kick his ass next time I see him in SF & bring the Charmin!’ and he’ll be laughing thinking of all our bad jokes for days.

    You know who you are; Thank YOU for the thank you notes, to my thank you - Im totally committed. Or after you’ve read this you probably think; committable.

     
     
  8. Andy just returned from a 2700 mile jaunt, with airstream in tow, around the deserts of Utah, Arizona and New Mexico shooting an editorial piece for Esin Goknar, Photo Editor, on Anasazi Indian archeological sites for Conde Nast Traveler Magazine. Here are a couple polaroids he scanned from the shoot.

     
     
  9. Bodybuilding.com

    Andy worked with Jennie Myers ACD and Shaun Young CW at DrakeCooper of Boise, Idaho to create this campaign for bodybuilding.com.

     
     
  10. RAM HEAVY DUTY

    Andy worked with The Richard’s Group to create this stunning campaign for RAM Heavy Duty Trucks.